Folios 178v – 179r, Gospel of Mark

Caoimhe Ní Ghormáin
Caoimhe Ní Ghormáin

Manuscripts Curator, Research Collections

1 min read • 1 July 2024

Folio 178v and 179r in the Book of Kells contain subtle symbols of Christ and his resurrection. Snakes, peacocks, and quadrupeds intertwine within the decorated initials, their forms rich in layered meaning. Read further to learn more.

Folio 178v, Book of Kells

Book of Kells. Folio 178v: Mark

There are subtle symbols of Christ and his resurrection on folio 179r. Dual symbolism was attached to the snake or serpent. Responsible for the Fall of Man due to its role in Man’s loss of innocence in the Garden of Eden (Genesis 3.1-5) and so synonymous with the Devil – it was also a common symbol of Christ’s Resurrection. The snake is a major decorative element throughout the Book of Kells: the decorated initial P on the first line has a snake, a quadruped and a peacock intertwined to form the P of Petrus (‘Peter’). The sinuous form of the snake is perfectly adapted for the initial letter S, such as the second decorated initial, Summi (‘the highest’) on the fifth line.

The stitching on this folio indicates a careful repair to the parchment, which was an expensive commodity and a valuable resource. Weaknesses in the skin often led to ruptures during the preparation of the calfskin to create vellum, resulting in holes of varying sizes. Medieval scribes and artists creatively adapted to these imperfections. They either wrote around holes or turned them into opportunities for playful decoration. Parchment-makers sometimes stitched perforations shut with heavy thread before final tensioning to prevent further expansion. These repairs became part of the manuscript’s visual narrative and a visible testament to the skill of its creators.

Folio 179r, Book of Kells

Book of Kells. Folio 179r: Mark

The symbols are in framed panels around a cross, with another, stepped cross at its centre. Interlaced snakes writhe in four T-shaped panels at each extremity of the cross. In the corner pieces top right and lower left, a chalice sprouts vine tendrils which are bitten by peacocks. Interlaced human figures are compressed in the corner pieces top left and lower right. In the one lower right, four figures stand within the confines of their frame, their necks unnaturally elongated and their heads hanging down in what may be intended to recall the Crucifixion. In the one top left are four men with red triangles on their cheeks, with knees bent, pulling each other’s beards.

Animal imagery is used throughout the Book of Kells as symbols of Christ to assert his divinity: lions, fish, snakes and peacocks. Snakes within the book have a double meaning. The creatures are usually thought of as representing evil in the world – as in the Garden of Eden – and are synonymous with the devil. However, an alternative meaning can be gleaned from the book’s serpents also, as they shed their skins and renew themselves, which could again represent the resurrection of Christ.  Peacocks, too, are integral to the decoration of most of the major pages in the manuscript. They appear at the end of text lines and in prime positions next to images of Christ. They are thought to represent Christ’s incorruptibility or immortality, due to the ancient belief that peacock flesh does not decay.

Explore the artwork

Explore the artwork

Decorated initials

Decorated initials mark the start of new gospel verses or important events in the gospels. There are approximately 2,000 of them in the manuscript.

Biblical verses

Enlarging the first letters of biblical verses helped readers to find particular passages more quickly.

Bird motif, folio 178v

This entangled bird motif on folio 178v, is understood by some to highlight the attempt to entrap Jesus when he was questioned before the high Priests (Mark 14:53).

Snake, folio 179v

Snakes are common in the Book of Kells and have different interpretations. This passage on folio 179v, describes the High Priest calling for Christ to be put to death, so the snake here is seen as a symbol of evil.

Entwined peacock and lion, folio 179v

This entwined peacock and lion repeats the idea of entrapment. It starts the verse in which false testimony is given against Jesus (Mark 15:57-58).